Thursday, November 12, 2009

IF HOUSE, M.D., WAS CHINESE

If our consciousness does create the universe, it must have manifested my concept for Kung Fu Doc, a version of House, M.D. where M.D. means Ming Dynasty! My latest in an ongoing preoccupation with Hong Kong TVB series on DVD is  The Herbalist's Manual based more or less on a true story of Chinese medicine.  Since I always fail to tune in to House at the right time, and I don't like to watch commercial television (i.e., TV with commercial interruptions) anyway, this HK series will keep me entertained until I download or stream a few of the current season's House episodes (or more likely wait for the entire DVD set).

THM doesn't have much going on with kung fu, but there are wonderful scenes of wandering around in the idyllic Guilin countryside gathering herbs and fulfilling destinies.  The main character has a little struggle in the beginning -- his father, a doctor, wants him to sit for the civil service exams and become an official, not to continue the lowly family tradition of herb doctor. Not exactly a contemporary plot. Can you imagine anyone saying, "No med school for you, you must work for the DMV!"  But the young man prevails and manages some medical successes, with the assistance of a crazy old coot of a sifu/doctor with extremely bizarre two-toned eyebrows called Little Buddha (played*** by the flamboyantly operatic and charming character actor Power Chan, below, as eccentric and goofy as Hugh Laurie) and his daughter, who is thwarted in her own desire to become a doctor (because she's a woman--now that does sound more contemporary). There are hints though that Little Buddha isn't who everyone thinks he is anyway.  A staple of these dramas.

The plot is wild and crazy (and I'm not even half-way through): Little Buddha/Power Chan inspires the young doc by intervening in a flu pandemic with treatments that involve eating live field mice and humidifying and fumigating living quarters with steaming vinegar!  Strangely timely, the flu pandemic plot --probably reminiscent  and meaningful to Hong Kong audiences used to panicking about SARS, bird and swine flus -- features quarantine in the mountains, where the government doctor, favored by the Prince, avoids doing any actual work with the local medical establishment, but does manage to get funding for "expensive imperial medicines" to supplement the common folks' folk remedies (various herbs and the mice and vinegar).  I think the government doctor is destined to become romantically involved with the homeopath/sifu Power Chan's wanna-be doctor-daughter, who actually loves and is loved by the stubborn young doctor who reluctantly married his original arranged fiancee, the daughter of the local Prince, believing that the sifu's daughter was going to marry his own brother.  Got that?  Chinese opera style!  There is a lesson in all these tales: not being forthright about your romantic intentions invariably leads to mis-marriages and unhappiness.

I was quite charmed by Power Chan as the Tolkienish-thief/sifu/military strategist with a pipe in Lethal Weapons of Love and Passion, where I recognized him from the Master Of Tai Chi, there playing a character that was relatively modern if emotionally volatile, but a good guy in the end, and best of all, in a cast with Vincent Zhao.  I guess I have gone over some threshold where I not only am recognizing (maybe, see footnote below) all these Hong Kong actors, but have favorites and opinions!

***I THINK it's Power Chan...the make-up is pretty extreme, but the acting style is the same.  I only wonder, because Power makes another appearance as a drunken prince a few episodes later in the series.  I can't find any definitive information to confirm that the crazy doctor is him; no reason why he can't play both roles.  I keep going back and forth in the video to compare the ears of the two characters.  I'm pretty sure they're the same, but not ready to bet my life on it.

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