Showing posts with label sword and sandal. Show all posts
Showing posts with label sword and sandal. Show all posts

Sunday, April 01, 2012

Spring Cleaning

No time like the present...better late than never...I have finally been doing some spring cleaning. When the energy moves me, I move.  Dunging out, mopping up, polishing things,  dealing with the accumulations of the past year...in some closet cases, over the past 15 years.  And who knew there would be a Wikipedia entry on "spring cleaning," where I learned that my timing is perfect:
IGreece, and other Orthodox nations, it is traditional to clean the house thoroughly either right before or during the first week of Great Lent, which is referred to as Clean Week. This also often corresponds with the Julian New Year, or April 1.
In the same way my elderly Japanese orchid-fancier neighbor says, lamenting the latest dent on his Honda, "I'm not a very good driver," I always say to people who take their shoes off, local style, before entering my apartment, "Don't bother, I'm not a very good housekeeper."

I didn't learn much from my mother, really, about domestic order.  She made me stop "dusting" after I broke the antique vase and she never much involved me in kitchen duty. She mostly taught me how convenient a dishwasher can be.  And there were the negative lessons: to remove stains from a bathtub, do NOT soak it overnight with a strong solution of chlorine bleach.  (It completely destroyed the stains, along with the fine porcelain finish of the tub.)  What I did learn from my mother was summed up in a commentary she wrote on a essay by Ralph Waldo Emerson: 
"We do not know today whether we are busy or idle. In times where we thought ourselves indolent, we have afterward discovered that much was accomplished, and much was begun in us." --Ralph Waldo Emerson
"Awakening from a daydream, one may be filled with much guilt at the thought of such idleness when there is perhaps something more important to be done.  But this sense of guilt may not be valid, for a man is not necessarily idle when he is absorbed in thought.  The private workings of the mind often prove creative.  In such seemingly idle moments, we have the rare chance to find ourselves, develop a sense of values; the truths which are not to be found in the laboratory or in the classroom may thus be discovered in such private explorations Such thoughtful periods store treasures for the years ahead." -- My Mother 
My approach has always been random and delimited by a fairly high filth tolerance and a predilection to daydreaming.  Basic hygienic maintenance --cat boxes and toilets-- I keep pretty much under control, but sometimes I do dishes the way people do laundry...by the load, and sorted.  For some reason, I have always found it more satisfying to make something that's really dirty clean, than cleaning something that already falls far below the limit on my tolerance scale.  There are so many more interesting things to do.

Like watching Star Appeal, (in Chinese, Xingxing xiangxi xi) a movie I couldn't resist that turned up in my Netflix suggestions.  I'd never watched a "Chinese gay-themed sci-fi movie."  I never knew there was such a genre.  I assume it was the "Chinese" tag and not  the "gay sci-fi" that put it to me.  But still, I'll watch anything once.  And I'll only watch this one once, not that it was that bad.  A blue movie, in the technical sense, erotic and blue-toned, like a Viagra vision (I'm told), but sensitive and arty enough to elevate it above porn, although I did learn something about yang-yang intercourse that I probably didn't need to know.  Interesting, and if anything, so what?  Maybe watching this would build all sorts of tolerance in the gay-bashing community (to say nothing of Chinese-bashers and Martian-bashers).  They're just like us!
"Xiao Bo, a bisexual man who discovers a stranger by the roadside, naked and claiming to be from Mars...takes the Martian home to his live-in boyfriend and girlfriend, and together, they begin instructing him in the ways of earthlings.  But when the mysterious stranger lapses into a coma, only the discovery of true love can bring him around."  
The dialogue was pretty simple for my limited Mandarin ear, and I can remember at least one line clearly: "Wo ai ni, ET." Though not everyone loved ET. In the end, love triumphs, if a little weirdly.

Hiroake Murakami as Jubei
Moving to a different alien culture, I finished a set of samurai DVDs lent to me by my haiku-writing Chinese friend, Legendary Swordfights of Yagyu Jubei.  I told my friend I wasn't really into the bushido aesthetic (some very strange hairstyles, that reverse mohawk), but she assured me of Jubei (Hiroake Murakami), "He's very handsome."  But, I'll watch anyone once. And indeed she was right. He seems to have violated the hair regimen the way Sammo Hung did in The Shaolin Warriors.  And he would be an excellent driver. (Although maybe not with only one eye.)  So I learned some history about the Tokugawa shogunate, and was impressed with the sword style, slow and elegant really, a little like intense insects with curved razor sharp blades.

And maybe there is something to the whole Japanese style. Such sparse tidy homes. Nothing to clean up!  Zen housekeeping.  Something new to daydream about.



Sunday, January 31, 2010

GRECO/ROMAN JUDEO/CHRISTIAN WUXIA
I got a free subscription to Time magazine for filling out some on-line survey connected to a book club I order from.  Scanning the first issue, not much different from the Newsweek I also get, a legacy from a requirement that our son subscribe to a newsmagazine in a civics class, I learned something from the obituary section. (You know you are getting to a different life stage when obits are interesting.)

Jean Simmons is dead.
Jean Simmons in The Robe
Not that "Jean" Simmons, but the one we know through The Thorn Birds and The Robe.  Not up for the entire Thorn Birds mini-series, in her memory I opened up a DVD copy of The Robe, still in its cellophane, which I bought some time ago at Costco for five bucks, probably during a retrospective offering of Academy Award nominees and winners.  Though a little premature, seasonally, for a passover/crucifixion epic, I decided to watch it anyway.  And lo and behold, I was struck that it is just western wuxia...with spiritual masters, swords, emperors, horses and camels (big bactrians), imperial cities and walled provincial outposts, buff guys (Victor Mature certainly lived up to his name), many in military leathers, gorgeous women in flowing silks. The women seemed not so strong and powerful as the heroines in Chinese wuxia...they never carried swords, but I can't say any of the Roman martial skills were as elegant as the Chinese--imagine Richard Burton against Jet Li, or even Chow Yun Fat.  I think not. (Though, Burton could elocute his way out of anything.)  I have the idea I saw this 1953 film in a theatre, even though I would have been very young at the time.  Perhaps I remember TV reruns...which did not do justice to the technicolor/cinemascope, the CGI of its day.  It really is colorful, probably more so than ancient Rome ever was.

I have a weakness for these grandiose Hollywood sword and sandal movies of the '50s and '60s --The Ten Commandments, Quo Vadis, Spartacus, Ben Hur, The Greatest Story Ever Told -- most of them based on earlier novels (or scripture), not necessarily historically accurate, precursors to Gladiator, Last Temptation of Christ,  the Passion of the Christ, The 300 (or is it 400?) and Kingdom of Heaven.  The Robe is certainly one of the greatest...with a young Richard Burton, opposite Jean Simmons, as beautiful as Liz with the delicacy of Audrey Hepburn (even though in a few of the scenes in The Robe she appeared to have a bit of a moustache).

So, Burton (who can make anything sound Shakespearean) and Simmons together were pretty intense and compatible--they both had British accents.  There was chemistry and I wondered if they ever "got it on," or was Burton just waiting for the slightly younger Cleopatra (right).

The Robe has an intriguing script.  In once scene, Pontius Pilate (played by Richard Boone, better known as Paladin, Have Gun, Will Travel) says, "Give me water to wash my hands." His servant says, "You just did."  "So I did," Pilate replies, perhaps the first documented case of OCD.

In another scene, Victor Mature, Richard Burton's converted-Christian slave who looks exactly like Mannix (Mike Connors), chides his master after the crucifixion over which Burton officiated: "You're going back to Capris to kiss the emperor's hand," he says.  (Hand, my ass.)  But actually, he doesn't, he becomes a martyr for the faith, along with the lovely Miss Simmons.
Tribune Marcellus and Diana
I have to go back and look at the history of some of those other great epics;  I think The Robe (1953) and Quo Vadis (1951) may have set a certain standard for which Charlton Heston, Max Von Sydow and Mel Gibson had to live up to.  At first I thought Richard Burton was part James Dean and part Jack Nicholson...then I realized I was working backwards.  Those guys are just parts of Burton--maybe not a martial artist, but certainly an artist by any other name.